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Rachel Eliza Griffiths, *Mule & Pear,* & The Book Trailer

15 Aug

(PHOTO: Rachel Eliza Griffiths) Rachel's self-portrait

When I wrote about Rachel Eliza Griffiths back in March 2010, the post focused on her skills as a photographer who’s credited for a number of author photos that appear on the backs of several poetry collections.

And after publishing two of her own—Miracle Arrhythmia (Willow Books, 2010), a Small Press Distribution best-seller, and The Required Distance (The Sheep Meadow Press, 2011)—I’m excited about her third collection Mule & Pear (New Issues Poetry & Prose), which is available for pre-order on AMAZON and due out this September.

Voices from the novels of Alice Walker, Jean Toomer, Toni Morrison and others inspired Rachel’s speakers in Mule & Pear. “Each struggles beneath a yoke of dreaming, loving, and suffering,” according to the publicist. “These characters converse not just with the reader but also with each other, talking amongst themselves, offering up their secrets and hard-won words of wisdom, an everlasting conversation through which these poems voice a shared human experience.”

(ARTWORK: New Issues Poetry & Prose)

Poet and educator Frank X. Walker elaborated on what Rachel’s created with this collection. “Griffiths gifts us with deleted scenes, alternate endings, and a VIP pass to wander the sets of some of the greatest literature of our time,” Walker writes in the blurb. “The reader won’t be able to resist the urge to reread Hurston, Morrison, Larson, et. al. or put this new way of seeing perhaps a new poetry technology down.” He added, “But what else should we expect from an artist who sees the world through so many mediums?”

And Rachel mixes the mediums by providing a book trailer for Mule & Pear, which I will review for a later blog post. The trailer’s gotten Southern Illinois University-Edwardsville’s (SIUE) attention. “The book trailer includes images of black women, Nina Simone’s song ‘Feeling Good’ as the soundtrack, and short excerpts of writings, presumably poems by Griffith,” according to the SIUE Black Study Blog, an online platform where Black studies, technology and active citizenship come together in an exchange of ideas among African-American academics.

Of Rachel’s book trailer, the blog notes, “The women in the video are shown in different poses, some wearing far out attire.”

Rachel’s attire consists of many hats she wears as a poet, writer, photographer, and painter. Her literary and visual work has been widely published in journals, magazines, anthologies, and periodicals including Callaloo, The New York Times, Crab Orchard Review, Mosaic, RATTLE, Puerto Del Sol, Brilliant Corners, Indiana Review, Lumina, Ecotone, The Acentos Review, PMS: poem memoir story, Saranac Review, Torch, The Drunken Boat, Black Nature: Four Centuries of African American Nature Poetry, Inkwell, Black Arts Quarterly, African American Review, Comstock Review, Hambone, and many others.

“And many others”? My friend is a busy woman. Others have also taken notice. “I’ve been hearing about or more accurately viewing Griffiths’ presence on the black poetry scene for a minute now,” according to SIUE’s Black Study Blog. “Griffith had already been building and establishing herself as a noted poet and photographer.”

(PHOTO: Rachel Eliza Griffiths) Rachel's self-portrait

Part of establishing herself was the “Ars Poetica, Photographs by Rachel Eliza Rachel,” an ongoing documentary on African-American poets, that opened in Brooklyn’s DUMBO community that month. I wrote an advance story on the exhibit in my March 2010 post.

Ever since I’ve known her, I’ve always been impressed by her talent and low-key demeanor. We met each other in 2007 at the 14th and V streets Busboys and Poets. I’ll never forget her kind and warm presence.

She loves hugs, is always encouraging her friends to be their best selves, and is genuinely happy for the accomplishments of others.

She’s not one to boast about her own accomplishments. When Rachel and I reunited during my second time at Cave Canem (CC), I didn’t know my CC sister was working on the “Arts Poetica” exhibit, or that she had three collections of poems and a novel done—all of which were manuscripts at the time.

Knowing Rachel, she wouldn’t have told me about her credentials and accomplishments. Or that she received the MA in English Literature from the University of Delaware and the MFA in Creative Writing from Sarah Lawrence College. I had to do some digging to find out she also received fellowships including Provincetown Fine Arts Work Center, Vermont Studio Center, New York State Summer Writers Institute, Soul Mountain, and others.

“And others”? You mean there’s more? Yeah, Rachel has definitely been busy—and she’s got a trailer, too! “I’m excited about the implications of a book trailer focusing on a volume of African American poetry,” the SIUE blog stated. “The release of this video further solidifies her reputation as poet and visual artist.” There, you have it. Check out the trailer, then preorder your copy of Mule & Pear!

 
6 Comments

Posted by on August 15, 2011 in Article

 

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6 responses to “Rachel Eliza Griffiths, *Mule & Pear,* & The Book Trailer

  1. Ernesto Mercer

    August 16, 2011 at 12:59 pm

    Excellent as always Alan.

     
    • Alan King

      August 16, 2011 at 6:03 pm

      Thanks, Ernesto!

       
  2. Yvelette

    August 17, 2011 at 12:34 am

    Great article Alan. Keep up the great work.

     
    • Alan King

      August 17, 2011 at 12:40 am

      Thanks, Yvelette!

       
  3. Evelyn N. Alfred

    September 6, 2011 at 10:16 am

    Ooooh, I want this.

     
    • Alan King

      September 6, 2011 at 10:23 am

      Me, too! A review of *Mule & Pear* is coming soon :)

       

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